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Monday, May 14th, 2012 | Author:

Lynn, 80, unveiled plans for a musical adaptation of Coal Miner’s Daughter during a show on Thursday night. The singer blew through four songs before bringing Deschanel onstage to sing the title tune.

The announcement mirrored the way Lynn invited Sissy Spacek on the Opry stage in 1979 to reveal that Spacek would play her in the upcoming film. Spacek later won an Academy Award for her portrayal of Lynn.

"I have a friend here tonight. I don’t know if ya’ll remember when Sissy Spacek was with me. I brought her out here with me. She about fainted. We both fainted," Lynn said with a laugh. "She went on to do the Coal Miner’s Daughter, and you know from there. Well, there’s a little girl back stage that’s going to do the play of Coal Miner’s Daughter on Broadway," Lynn continued. "Zooey, where you at, honey?"

"This is a great honour for me. This is my hero," said Deschanel.

Article continues below

© 2011 Gulf News (www.gulfnews.com)
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Sunday, May 13th, 2012 | Author:

The bill passed in a strongly polarized 218-199 vote. No Democrats supported the measure.

While the legislation has no chance of clearing the Democratic-controlled Senate or surviving a certain presidential veto, it helps set the stage for a campaign showdown over fiscal priorities. It also offers a partial preview of what is shaping up to be a titanic year-end fight over deficit reduction measures set to take effect in 2013.

Specifically, the GOP plan would replace the bulk of a package of roughly $110 billion in defense and domestic cuts currently slated for next year. The Republican proposal would, among other things, cut Medicaid and food stamp spending, reduce spending for President Barack Obama’s health care reform law, strip regulators of the ability to wind down failing financial firms, and end a White House program meant to help struggling homeowners.

The measure would generate nearly $20 billion in savings for the current fiscal year, and $243 billion over the next decade, according to the non-partisan Congressional Budget Office.

The bill will “protect our military from devastating cuts while providing significant deficit reduction,” argued House Speaker John Boehner, R-Ohio. “We want to work with the president, but it’s about time he gets serious.”

House Armed Services Committee Chairman Buck McKeon, R-California, urged Congress to avoid what he characterized as “catastrophic cuts to our military.”

“Support our troops (and) support our national security,” he declared on the House floor.

Democrats accused their Republican counterparts of trying to clean up a fiscal mess on the backs of the poor and the elderly, while protecting special interests and wealthy taxpayers.

This debate “clearly defines the values and vision of the Democratic Party and the Republican Party,” said House Minority Leader Nancy Pelosi, D-California. “Instead of finding common ground we see two different paths in these budgets.”

The GOP bill would amount to “literally taking food out of the mouths of babies,” she later said on the House floor.

Rep. Kathy Castor, D-Florida, warned the Republican measure would “end Medicare as we know it” and in the process “undermine the health and security of millions of American families.”

“It’s not in keeping with our values as Americans,” she insisted.

The spending cuts currently scheduled to take effect in 2013 represent the first stage of a 10-year budget “sequester” set in motion by the 2011 Budget Control Act. That measure, enacted last August, raised the federal debt limit while mandating $1 trillion in cuts and establishing a so-called super committee to find an additional $1.2 trillion to deficit savings over the next decade.

The super committee’s failure to find the $1.2 trillion in savings kicked into motion a default plan to cut spending by an equivalent amount. The planned cut — starting with the $110 billion set for next year — is split roughly evenly between defense and non-defense spending. The new defense cuts would follow another $450 billion in Pentagon spending reductions.

“Such a large (defense) cut, applied in this indiscriminate manner, would render most of our ship and construction projects unexecutable … and seriously damage other modernization efforts,” Defense Secretary Leon Panetta said late last year in a letter to members of Congress.

Presumptive Republican presidential nominee Mitt Romney is pushing for a sharp increase in defense spending.

While congressional Democrats also object to a large number of cuts contained in the sequester, they generally prefer tax hikes on the wealthy to help close the budget gap.

CNN’s Charles Riley contributed to this report

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Sunday, May 13th, 2012 | Author:

Ever wonder what exactly goes on behind the scenes when you apply for a job? While the recruiting process varies by industry, company and even department, the end result is the same: One person out of many receives an offer.

Indeed, last month there were 6.4 unemployed persons for every job opening, according to the Labor Department. For those who aren’t hired, understanding what happened to their candidacy along the way can be a mystery. Not every firm notifies applicants that they have been rejected, and few say why. But knowing what goes on in the hiring process may give prospects the inside track for a job.

[INSIDER]

Bruce Macpherson

Many employers start filling vacancies below the executive level by using a team of recruiters or human-resources personnel to weed out applications that fail to meet a job’s basic qualifications. “They should only be removing candidates who are a clear miss,” says Peter Leech, chief marketing officer for Onlineshoes.com, a small Seattle e-commerce company.

How this is done, the time it takes, and the number of applicants selected to go on to the next step varies, but there are some patterns. Some screeners eyeball every submission that comes in, while others search for certain keywords among applications. Likewise, there are screeners who consider cover letters in their evaluations and those who ignore them. Career experts suggest erring on the side of caution. Submit a carefully written cover letter and insert keywords—must-have qualifications usually found in the job posting—with every application. Job hunters should expect to wait anywhere from a few days to several weeks before receiving a response to an application, if at all. A recent survey of 56 companies with at least 500 employees found that just 27% have a formal process to decline every external candidate they consider for an opening, reports CareerXroads, a human-resources consulting firm in Princeton, N.J.

If you’re worried that your application never arrived, wait five days and call the employer to ask for confirmation, suggests J.T. O’Donnell, a career strategist in North Hampton, N.H. Express humility and appreciation since it is likely that several other job hunters have made the same inquiry, she adds. Use the opportunity to inquire if there are any time frames as to when candidates might hear if they were selected for an interview, she adds.

General Mills Inc.

sends email confirmations only to job hunters who complete an online application for a specific opening at the Minneapolis-based company, says Stephanie Lilak, vice president, chief staffing officer. What’s more, recruiters will only review applications that show a person meets a job’s basic qualifications, based on screening questions, she says.

One common exception many firms make: A job hunter who is referred by an employee or other trusted source. A referred candidate may be given immediate attention, potentially speeding them to the interview stage. Michelle Vasquez, 43, says she landed a phone interview for a senior marketing job last month thanks to a referral from a friend of the hiring manager. Ms. Vasquez, who has been out of work for the past year and a half, was later invited to interview with several of the company’s senior managers, though she later found out she didn’t get the job. “I didn’t have to fill out an online application,” she says. “I went straight into the interview pool.”

The next step is often to have human-resources staff, hiring managers—or both—narrow down applicants to those whose skills and work histories closely match the job description. If they are unsure, they might reach out by email or phone to learn more. In the end, they will typically have a list of candidates, usually no more than 20, to interview. However, as new applications come in, it is possible that the list will grow, especially if several of those initially selected fail to pass the next round, which is usually a phone interview.

Often human-resources personnel, but occasionally hiring managers, will first interview candidates over the phone to save time and cut costs associated with on-site visits. Those calls last anywhere from 10 minutes to an hour or more. In general, the purpose of the phone interview is to make sure candidates understand the job and that it lines up with their salary expectations, says Jo-Ann Gastin, senior vice president, human resources, for Lockton Cos. LLC, an insurance brokerage firm in Kansas City, Mo. If it doesn’t, “there’s no point in going any further,” she says, though on rare occasions exceptions may be made for candidates who name salaries above the maximum for a job. “They’d have to wow us,” she says.

Phone interviews may be used to get deeper information about a candidate’s background to help determine if the person is a strong fit. Candidates also may be evaluated on their communication skills. In Ms. Gastin’s case, “We look to see if they can establish rapport on the phone because we are a customer-service company,” she says.

Sometimes hiring managers will reach out to candidates for a second call before scheduling an on-site meeting to dig deeper. And some firms require candidates to complete personality or competency tests benchmarked according to what an employer considers to be key traits for success in a particular role and are therefore difficult to game. Candidates who don’t cut it are typically informed within a day or two.

Some firms do bring candidates in for face-to-face meetings right after reviewing their applications. Among them is Boston Consulting Group, which mostly hires upcoming college and advanced-degree graduates, says Mel Wolfgang, partner and head of Americas recruiting. The firm assigns teams of up to three recruiters to assess applicants from more than 30 U.S. schools. “We look for well-rounded individuals whose interests and life experiences suggest that they would adapt well,” says Mr. Wolfgang. “We look for evidence that they have led and been empathic with a team or challenging situations.”

Up to six applicants are typically granted first-round interviews per opening, which involve meeting with two company consultants for about 40 minutes each. Of these, about half go on to second-round interviews with up to four company partners. During the meetings, candidates are asked about their work history, career goals and other relevant topics, plus they are expected to participate in role-playing exercises. “You spend a significant time discussing a business problem that the interviewer has actually worked on,” says Mr. Wolfgang, adding that client names and other details are kept anonymous. “It’s a way to explore how you would approach a similar problem.”

At most firms, once interviews are done, hiring managers will convene with colleagues who met the finalists to get their opinions on who should get an offer. “But in the end, it’s still the hiring manager’s call,” says Mr. Leech of Onlineshoes.com. That decision often comes down to fit and level of enthusiasm. “You’re making sure that you pick someone who is pumped up about the role,” he says.

Write to Sarah E. Needleman at sarah.needleman@wsj.com

© 2011 Wall Street Journal (www.wsj.com)
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Saturday, May 12th, 2012 | Author:

Release Date: 04/09/2012Contact Information: EPA: John Senn, (202) 564-8996 (office), (917) 528-8314 (day of meeting and tour), senn.john@epa.gov
USDA: Reginald Jackson, (501) 301-3133, Reginald.Jackson@ar.usda.gov or Jeannine May, (601) 260-0298, jeannine.may@ms.usda.gov

WASHINGTON – U.S. Environmental Protection Agency acting Assistant Administrator for Water Nancy Stoner and U.S. Department of Agriculture Deputy Undersecretary for Natural Resources and Environment Ann Mills, along with various state officials and farmers, will tour Stovall Farm in Clarksdale, Miss., to see projects that are benefitting farmers and reducing water pollution in the Mississippi Delta.

The tour will begin at 1:15 p.m. Central Time on Wednesday, April 11 at Stovall Farms in Clarksdale, Miss. During the tour, local farmers and experts will discuss various strategies being employed to reduce the amount of nitrogen and phosphorous reaching local waterways and the Mississippi Delta. The tour will conclude at approximately 2:15 p.m.

The tour is part of the Mississippi River/Gulf of Mexico Watershed Nutrient Task Force annual meeting, which this year is being held in Memphis. On April 10, state and federal officials will meet to discuss innovative national and local strategies to address nutrient pollution and water quality in the Mississippi River Basin and the Gulf of Mexico. This meeting begins at 8:30 a.m. at the Holiday Inn Select at 160 Union Ave., in Memphis, and there will be a press availability at 10:45 a.m.

WHAT: Tour of pollution reduction projects at Stovall Farm

WHO: EPA acting Assistant Administrator for Water Nancy Stoner
U.S. Department of Agriculture Deputy Undersecretary for Natural Resources and Environment Ann Mills
Pete Hunter, Stovall Farms

WHEN: Wednesday, April 11, 1:15 p.m. Central Time

WHERE: Stovall Farms
4146 Stovall Road
Clarksdale, Mississippi

Directions from Memphis (approximately 75 miles):
Take US-61 South (South 3rd Street) out of the city and continue south
Turn right onto Friar Point Road
Turn left onto MS-1 South
Turn left onto Old River Road (0.9 Miles)
Continue onto Oakhurst Stovall Road/Stovall Road (1.5 Miles)
Stovall Farms will be on the left

Directions from Oxford, Miss. (approximately 65 miles):
Take MS-6 West/US-278 W toward Batesville
Turn right onto Big Creek Road
Continue onto Roberson Road (2 Miles)
Continue onto Hopson Street (0.4 Miles)
Continue onto E Lee Drive (1.9 Miles)
Turn left onto W Lee Drive (2 Miles)
Turn right onto Oakhurst Stovall Road/Stovall Road
(4.1 Miles)
Stovall Farms will be on the right

Directions from Helena-West Helena, Ark. (approximately 30 miles):
Take US-49 South Business
Turn left onto US-49 South/Martin Luther King Drive
Continue to follow US-49 South into Mississippi
Turn right onto MS-1 South
Turn left onto Old River Road (0.9 Miles)
Continue onto Oakhurst Stovall Road/Stovall Road
(1.5 Miles)
Stovall Farms will be on the left

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View selected historical press releases from 1970 to 1998 in the EPA History website.

Published by: United States Environmental Protection Agence (EPA) (yosemite.epa.gov)
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Saturday, May 12th, 2012 | Author:

The president could see his steepest loss of support with more conservative Democrats or the so-called Reagan Democrats — those who are typically white, older and living in rural areas, said Ron Brownstein, CNN contributor and the National Journal’s editorial director.

Many of them also fall into key swing states, like North Carolina, Pennsylvania, Virginia and Indiana.

“This is an acknowledgment that those voters are largely gone, and the president and the Democrats have to respond to a different coalition: Younger voters. More socially liberal. White collar voters,” Brownstein said. “This is a reflection of his understanding that that is now the coalition that is going to elect him and that he needs to respond to.”

Indeed, recent congressional shifts show this sector of the party to be thinning out. Also known as Blue Dog Democrats, the group’s coalition dramatically lost numbers in Congress over the years.

Prior to 2010, there were 54 members in the House Blue Dog caucus. By the end of 2011, there were 25. Two more lost primary battles in Pennsylvania last month, raising questions as to whether the more moderate Democrats will be forced to swing further to the left this cycle.

While Republican and Democratic lawmakers unleashed a flurry of statements following the president’s comments Wednesday, many members of the Blue Dog Coalition remained relatively quiet.

Another group of concern for Obama, political observers say, may be African-American evangelicals, a section within the base that traditionally comes down socially conservative on same-sex relationships. The group played a big role this week in voting for the North Carolina ballot initiative that places a constitutional ban on same-gender marriage.

Carlton Pearson, an African-American pastor from Chicago and widely known supporter of LGBT rights, said he received a wave of phone calls and texts from pastors Wednesday after the president’s interview, several of whom had mixed reactions to the news.

“Many don’t support marriage, but they support the president,” Pearson said Wednesday on CNN. “Others support both, because they realize that their congregations are filled with gender loving people and their staffs.”

Person added the community is “conflicted,” not necessarily because of Biblical reasons, but because of potential economic liabilities.

“A lot of preachers actually don’t have a theological issue,” he said. “It’s a business decision. They can’t afford to lose their parishioners and their parsonages and salaries. They stay quiet.”

In the end, however, experts doubt this will become a big wedge issue for Obama and the black community, which turned out in droves for the then-Illinois senator in 2008.

“I think the African American community, even those who disagree with him, will still be there,” said Paul Begala, a CNN contributor and senior adviser for a pro-Obama super PAC.

Most political observers argue Obama’s clarified stance will undoubtedly help shore up a major part of his liberal base that has largely felt alienated by his murky language on the issue over the years.

Prior to his Wednesday announcement, Obama’s official position was that he was “evolving” on the issue, having once opposed it. Given the even split among Americans on the topic, political strategists say the president had no choice but to walk a fine line.

Marriage-equality activists say they hope the president’s words will have a trailblazing effect, but recognize he’s still limited — both politically and legally — in making a sizable impact on the movement.

“I don’t expect him to be out there campaigning on this every day,” Evan Wolfson, president of the advocacy group Freedom to Marry, said on CNN. “But I think the president’s words will reverberate across kitchen tables across the country, in the hearts and minds of people who are wrestling with this.”

Obama’s changed position may affect not only his own campaign, but his opponent’s as well. Some Republicans argue it could be a political gift for presumptive GOP presidential nominee Mitt Romney. The former Massachusetts governor has struggled throughout the campaign to animate his conservative base, as his primary opponents consistently showered him with criticism of being too moderate.

The president’s announcement gave Romney a chance to forcefully reiterate his opposition to same-sex marriage, even articulating a stance further to the right of former President George W. Bush and former Vice President Dick Cheney.

“My view is that marriage itself is a relationship between a man and a woman, and that’s my own preference,” he told reporters in Oklahoma. “I know other people have differing views.”

In an interview earlier in the day, he said he supports domestic partnership benefits and hospital visitation rights for same-sex couples. However, in the past, Romney has expressed support for a federal amendment banning gay marriage and has said that he, unlike Obama, would stage a legal fight for the Defense of Marriage Act, which defines marriage as the union of a man and a woman.

Tony Perkins, president of the socially conservative Family Research Council, said this issue could be a key benchmark in Romney’s quest to convince those on the far-right of his conservative credentials.

“The president, I think, has handed to Mitt Romney the one missing piece in his campaign, and that is the intensity and motivation that Mitt Romney needs among social conservatives to win this election,” Perkins said on CNN. “And I think this could be the piece.”

Whether Obama will be damaged by accusations of “flip-flopping” on the issue remains to be seen.

“It’s going to be really interesting to see how this plays out,” said Frank Bruni, a consumer activist and the first openly gay New York Times’ op-ed columnist. “Does it make Barack Obama a flip-flopper? A little bit of one. But you show me a politician that’s not a flip-flopper.”

He added: “I don’t find the flip-flop stuff when we direct it at Mitt Romney to be the most compelling line of argument because I think politics is an arena of much flip-flopping.”

However, recent polling shows same-sex marriage to be low on voters’ minds. According to a Pew Research Center survey released in April, only 28% of voters described it as a “very important issue” this election year.

Jennifer Pizer, legal director at The Williams Institute, which studies sexual orientation, law and public policy at UCLA, said she would be surprised if the issue comes into play this fall, despite its appearance on states’ ballots and the president’s changed position.

“I suspect the issue might have played some role in North Carolina, which will be contested,” she told CNN in an e-mail. “But with the marriage vote having happened just now, it seems unlikely to still be much on voters’ minds six months from now.”

While Obama’s comments may fuel ongoing discussion among pundits and politicos, she said, she doubts voters will view the issue as a highly important one this fall.

“The overwhelming majority of Americans already enjoy the right to marry the person they wish to marry, and are not directly affected by laws prohibiting same-sex couples from marrying,” she said. “Those laws just don’t affect their families, let alone their jobs, their children’s schools, or whether they are able to take loved ones to the doctor.”

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Saturday, May 12th, 2012 | Author:

New York

The bass-baritone Eric Owens is known for tour-de-force operatic performances. In the otherwise forgettable Elliot Goldenthal/Julie Taymor opera “Grendel,” he embodied the haunted monster of the “Beowulf” story. Then came the standout cameo role of the sputtering yet introspective Gen. Leslie Groves in John Adams’s “Doctor Atomic.” Most recently, Mr. Owens has been commanding as Alberich in the new Metropolitan Opera “Ring,” exposing unexpected facets of the cycle’s prime villain.

Mr. Owen’s song recital at Zankel Hall last week was something different. He is a large man with a large voice, but he reined in his sound and dialed down on the histrionics to create a surprisingly intimate evening, in which character—and there was plenty—was all communicated with subtleties of vocal expression. Mr. Owens barely moved from his spot beside the piano and, rather than impersonating, gave the impression that he, the singer, was present in each emotion and story. You never lost sight of who was delivering the message.

Julien Jourdes

Eric Owens during his recital at Carnegie’s Zankel Hall.

Recital programming can feel like dutiful repertoire box-ticking, but Mr. Owens and the conductor Robert Spano, his fine collaborator at the piano, were intentional in their song choices. The first half of the program, all German songs, explored defiance, fury and despair; the second half, all French, was mostly a treatise on love.

Mr. Owens began quietly, with Hugo Wolf’s “Drei Gedichte von Michelangelo,” taking a measured approach to the certainty of death in “Alles endet, was enstehet.” He pushed deeper with a Schumann group, working the contrasts of forcefulness and lyricism in “Aus den hebräischen Gesängen.” In “Muttertraum,” he sweetly invoked a mother and infant, and then dropped his voice to a creepy, penetrating whisper for the voice of a malevolent raven; his cry of greed in “Der Schatzgräber,” another grotesque, was worthy of Alberich. He explored the dark side of classical mythology with songs by Franz Schubert: grandly assertive and defiant in “Prometheus,” and darkly evoking the murmuring sea and whirling eternity of the condemned souls in “Gruppe aus dem Tartarus.”

In the German songs, Mr. Owens’s voice had a fierce, gravelly quality; for the French ones, he shifted gears entirely, caressing the vowels with a rounded, mellow tone and employing an entirely different set of vocal colors. His Debussy songs were lovely: He ended “Beau soir,” with a phrase that sounded like a sigh; “Fleurs des blés” was playful, with a sense of wonder as he described each wildflower and dropped to a pianissimo that you could hear at the back of the hall; the lightness he brought to “L’âme évaporée” felt especially remarkable emanating from such a big man. Henri Duparc’s “L’invitation au voyage” had an unaffected serenity that seemed very personal. In the three Spanish-inflected Ravel songs of “Don Quichotte à Dulcinée,” Mr. Owens brought out three different aspects of the knight’s character: gently romantic; stately and formal in prayer; and finally letting loose as the unabashed, comic drinker.

In his concluding song, an early Wagner work set to a French translation of a German text by Heinrich Heine, he straddled the two worlds. “Les deux grenadiers” is a patriotic number about soldiers returning to France after a defeat; one of them declares he is dying and will wait in his grave to be called again to battle (the last two stanzas are set to “La Marseillaise”). Mr. Owens brought force to the narrative, but the song is not Wagner’s finest moment, and for the first time, the singer’s emotion felt artificial.

Not so the encores: In Henry Purcell’s “Music for a While,” he cast the spell of music so completely that you could see Alecto’s snakes “drop, drop, drop from her head” and his “Shall We Gather at the River” (which he called “my answer to the Schumann songs”) was heartfelt and all-encompassing, as persuasive in affirmation as the Schumann songs were in despair.

***

Missy Mazzoli’s opera “Song From the Uproar: The Lives and Deaths of Isabelle Eberhardt,” in its world-premiere engagement at The Kitchen, was also centered on a very potent singer, mezzo-soprano Abigail Fischer, whose throbbing low register and open-hearted performing style reminded me of Lorraine Hunt Lieberson. The 75-minute opera is based on the journals of a very young Swiss woman who, at the turn of the 20th century, traveled to Algeria dressed as a man, joined a Sufi sect, took a lover, and died in a flood. Librettist Royce Vavrek drew the text from those journals, but narrative is not really the opera’s point; rather, the piece is an exploration of a woman’s liberation through her discovery of religious and erotic ecstasy.

Song From the Uproar: The Lives and Deaths Of Isabelle Eberhardt

The Kitchen

512 W. 19th St., N.Y.

Through March 3

The music skillfully evoked that passion through minimalist-style repetition, haunting melody, rhythmic variety, slowly building intensity and the deployment of the distinctive timbres of five instruments (piano, bass, electric guitar, clarinet and flute). A chorus of five provided depth and contrast, and recorded vocals and sound effects, such as the scratchy noises of old records, gave a further aural overlay. Director Gia Forakis’s ingenious multimedia staging was built on stylized gesture, incorporating soft-focus black-and-white films by Stephen Taylor that suggested the inner and outer lives of the protagonist without being prescriptive. Zane Pihlström did the simple scenic design of scrims, some of which looked like desert tents, and sand; Alixandra Englund created the costumes, and Scott Bolman the lighting. Steven Osgood conducted the terrific NOW Ensemble musicians, visible behind a scrim at the rear of the stage.

Together, these elements created a world. Take the penultimate scene, in which Isabelle’s lover leaves her. The text (“How quickly love evaporates, leaving me a desert”) was reflected in the film images of closing flowers and voiced by the keening of the double bass in its highest register, backed by the guitar’s simple heartbeat of a rhythm and Ms. Fischer’s soaring anguish. It was both powerful and new.

Ms. Waleson writes about opera for the Journal

A version of this article appeared February 28, 2012, on page D5 in some U.S. editions of The Wall Street Journal, with the headline: Staying in Character.

© 2011 Wall Street Journal (www.wsj.com)
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Friday, May 11th, 2012 | Author:

STATS: A 5,571-square-foot home with five bedrooms and 5½ bathrooms, asking $9.5 million, or $1,704 a square foot. Property taxes in 2011 were $44,434. The house was originally listed for $12.5 million.

Photos: New England Style in the Hamptons

Tony Calarco/Jump Visual

This five-bedroom home in North Haven, N.Y., is asking $9.5 million, or $1,704 a square foot. The house was originally listed for $12.5 million.

DETAILS: The owners spent two years designing this traditional New England-style home and giving it a classic feel, but with the latest energy-saving technology. Solar panels bring the electric bill to zero some months of the year, the owners say. Geothermal energy heats and cools the house. The owners chose reclaimed materials when possible, including flooring from a Long Island barn that was being torn down. The bricks for the fireplace came from a bookstore in the husband’s hometown, 75 miles away. Sitting on 2.3 acres with 160 feet of beachfront, the house also features a pool and spa that look out at Sag Harbor.

Open House


  • 38 Ferry Rd., North Haven, N.Y.

SELLERS: Russell and Mica Diamond. Mr. Diamond works in finance. Mrs. Diamond is a life coach.

THE NEIGHBORHOOD: It’s about two minutes to the Sag Harbor Whaling and Historical Museum. After you visit the museum, head to the organic cafe at Provisions, where Mrs. Diamond recommends the chicken quesadillas. Or stay home and go kayaking (the kayaks don’t come with the house, you’ll have to bring your own).

WHAT WE PAID: The couple paid $5.3 million for the land in 2006. They estimate they spent about $4 million building the house, which was finished in 2009.

WHY WE’RE SELLING: The couple has relocated to be closer to Mr. Diamond’s work.

WHAT WE’LL MISS: The charm of the town of Sag Harbor, says Mrs. Diamond. Mr. Diamond says he’ll miss the views, the sunrises (“We’re morning people,” he says) and watching the boats in the harbor.

WHAT WE WON’T: The more than 100-mile commute to New York City. Mr. Diamond used to stay in the city from Monday to Thursday because of the commute, and now that they’ve moved, he’s home seven nights a week.

COMP: Nearby, a 2,560-square-foot home with four bedrooms, two full bathrooms and two half-bathrooms on 2.6 acres is listed at $8.9 million.

OTHERS SAY:
Ernest Cervi of Corcoran Group Real Estate could see a buyer using the house for a full-time residence or a weekend home. Thanks to the views and the size of the property, he says “the price is right on spot.” Susan Breitenbach of the Corcoran Group has the listing and says the green construction, the quiet location and the turnkey nature of the house justify the price.

Write to Sarah Tilton at sarah.tilton@wsj.com

A version of this article appeared March 16, 2012, on page D9A in some U.S. editions of The Wall Street Journal, with the headline: New England Style In the Hamptons.

© 2011 Wall Street Journal (www.wsj.com)
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Friday, May 11th, 2012 | Author:

Living with Video is a show that celebrates exciting, contemporary video art through the works of ten leading artists from around the world. Curated by Chantal Crousel, founder of Galerie Chantal Crousel, the show features cutting-edge works by Jennifer Allora, Guillermo Calzadilla, Fikret Atay, Wang Bing, Mona Hatoum, Hassan Khan, Melik Ohanian, Gabriel Orozco, Anri Sala and Wolfgang Tillmans.

"These are all well-known artists who work with various media. But I have foc-used on their video works because I wanted to show a medium that is not very well known as an art form in this region. Contemporary artists have embraced this medium because there are ideas or moments that have touched them that cannot be expressed in any other way except through the moving image and sound. My aim as a curator was to show the many different forms of video art, ranging from conceptual and narrative videos to 3-D animation on a hard disc and other technological experimentation," Crousel says.

The works she has selected express various moods, messages and ways of thinking. Some are deeply emotional such as Sala’s Time After Time which features a lone, emaciated horse standing on a highway. As cars pass by, the terrified animal is briefly illuminated by their headlights and then becomes a blur in the darkness.

Others are light-hearted such as Air Cushioned Ride by the same artist. This one is based on his experience of a disturbance in the reception of his car radio caused by a group of trucks in a particular area that resulted in an amusing mix of baroque chamber music and country music. "This work is about a moment of consciousness and an experience that can only be expressed through the medium of video," Crousel says.

Article continues below

© 2011 Gulf News (www.gulfnews.com)
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Thursday, May 10th, 2012 | Author:

The 63-year-old actor has had a long career including an Academy Award for “Reversal of Fortune” and voicing the malevolent Scar in “The Lion King.” He recently spoke to CNN about playing a pope and his not-so-secret vice.

CNN: What can we expect this season?

Jeremy Irons: You can expect a good ride, a naughty ride, a good ride. I think you can expect an even more exciting ride than last season. It’s perkier; it’s faster with a lot of surprises.

CNN: When you first signed up, were you worried that it would be historical soft porn?

Irons: No, because I know Showtime, I know Neil Jordan. I thought that we’d avoid that and I think we have.

CNN: The show is like “The Sopranos” in the Vatican.

Irons: I would say that’s right.

CNN: The characters are pretty venal.

Irons: Yes life was more on the edge. Life was not valued quite as highly as it is today. People were used to fighting, people were used to dying. Death was much more a part of life than it is today. Children and women would die in childbirth. Men would die. The whole perception was different.

CNN: You play a pope who has children. Would you be surprised if it was discovered that Pope Benedict has kids?

Irons: Um, not particularly (laughs).

CNN: Your voice is like catnip to the ladies.

Irons: I don’t think about it. You use what you’ve got! Before I was married I didn’t sound like this because I didn’t smoke so much.

CNN: So smoking is good for actors?

Irons: Well in truth, to be serious, I suppose it’s not particularly good, but it does give me huge pleasure and allows me time for reflection. If I did yoga perhaps I wouldn’t have to, but I don’t. I go outside and have a smoke and I find those gaps in the hurly burly of the film world very useful.

CNN: Is the cigarette accompanied by a cup of tea and a chocolate biscuit?

Irons: Often (speaking with a full mouth). There’s a chocolate biscuit in my mouth at the moment and a cup of tea but no cigarette. But there will be one in a minute.

CNN: Your son Max (“Red Riding Hood”) is gorgeous!

Irons: That’s very nice. He takes after his mother.

CNN: I have little kids. I think I’ve seen “The Lion King” 30 times.

Irons: There’s something wrong with you.

CNN: Do you get people coming up to you with your kids?

Irons: I do and the kids sort of look at me so embarrassed. Scar is a lion on the screen for them. They stand there looking long suffering while their parents make me write them an autograph.

CNN: What’s your favorite movie?

Irons: It’s strange because it’s always the experience of making it that’s the great thing. Making “The Mission” was fantastic, making “Dead Ringers” was a great experience, making “Lolita” was a great experience. Making “The Borgias” is a great experience. We have a lot of fun, great crew, great cast, shooting in a fantastic city, Budapest. I get up and I’m really pleased to work and that’s what I’ll remember. In a way, it never has much actually to do with what the movie’s like.

CNN: Budapest is a beautiful city.

Irons: I like the youth of the city and it has a slightly crumbly nature about it because they haven’t quite got the money to finish everything off.

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Thursday, May 10th, 2012 | Author:

Story By: Fresh Air from WHYY

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Maurice Sendak wrote and/or illustrated more than 100 books during his career. He received a National Book Award, a Caldecott Medal, the Hans Christian Andersen Award for children’s book illustration, and the National Medal of Arts.

October 23, 2009

October 30, 2003

On wishing he had children, sort of

“I would infinitely prefer a daughter. If I had a son, I would leave him at the A&P or some other big advertising place where somebody who needs a kid would find him and he would be all right. … A daughter would be drawn to me. A daughter would want to help me. Girls are infinitely more complicated than boys, and women more than men. And there’s no doubt about that. We just don’t like to think about it. Certainly the men don’t like to think about it. I have lived my whole life with a dream daughter.”

On not discussing therapy sessions with his late partner, a psychoanalyst

“It just seemed like, why? It just seemed inauthentic and incorrect to burden him with that. My therapy went on forever. My being gay was something of not great interest to me. The person I lived with — we lived together for all of those years, so we made trips to our favorite places in Europe, so that we could read our favorite books, so that we could listen to music.

“I couldn’t deal with 9/11 the other day. I couldn’t bear it. … That evening of 9/11, they conducted Mahler’s 2nd Symphony. … And I sat there and cried like a baby listening to the music.”

Sendak’s Legacy: Helping Kids ‘Survive Childhood’

On being gay

“Finding out that I was gay when I was older was a shock and a disappointment. … I did not want to be gay. It meant a whole different thing to me — which is really hard to recover now because that’s many years ago. I always objected to it because there is a part of me that is solid Brooklyn and solid conventional, and I know that. I can’t escape that. It’s my genetic makeup. It’s who I am.”

On his life

“I have nothing now but praise for my life. I’m not unhappy. I cry a lot because I miss people. They die and I can’t stop them. They leave me and I love them more. … What I dread is the isolation. … There are so many beautiful things in the world which I will have to leave when I die, but I’m ready, I’m ready, I’m ready.”

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