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Thursday, May 17th, 2012 | Author:

In an age of seemingly endless connectivity, few places offer a respite from the screens and streams of emails and texts we view on a daily basis. But digital detox no longer requires a week’s escape into the wilderness. An hour in a Wi-Fi-free bathing zone may be enough.

Soane

Soane designer Lulu Lytle’s bathroom suite for Decorex

Because it takes only the slightest splash for the iPhone or Blackberry to expire (e-books are not much use here either), the bathroom is rapidly taking over from the study or living room as the home’s place of retreat from the hurley-burley of modern life. Designers are adding to that sense of refuge, as well as creating a new social point, by throwing sofas, club chairs, reading lights, art and even oriental carpets into the mix.

“They are another room in the house where you might put in chaise longue and a table, and have a discussion while you or your child is bathing,” says Martin Brudnizki, the London-based designer whose low-tech, country-inspired designs for Soho House’s Cowshed Miami Beach spa helped prompt a defection from the high-tech home spas and pretentious hammams of recent years. “I see many couples choosing not to have separate bathrooms anymore because this is the only room where they can talk face-to-face,” he adds.

Like many designers, Mr. Brudnizki is veering away from a built-in, uniform look and toward low-tech, old-fashioned freestanding baths and shower stalls, and vintage storage units, borrowed perhaps from a study. Marble and mosaic are used sparingly. Most importantly, he says, his bathrooms never need an instruction manual. “The last thing anyone wants is to wrestle with yet another high-tech piece of equipment that does your head in,” Mr. Brudnizki says.

[Bathrooms]

Bisazza

A sliding cabinet from the ‘Nendo Collection’ by Oki Sato for Bisazza

Baths run by remote control and showers with complicated functions are falling out of favor, replaced by easy, sleek designs that would look just as at home in the living room. “Bathrooms should not require an IT department,” says Roberto Gavazzi, chief executive of Boffi. “They should be a place you gather your thoughts, not a source of frustration.” The luxury Italian brand’s freestanding “Swim C” island bathtub design (in white Cristalplant, from £8,400) has wooden-finished, open-faced compartments built in along the sides for easy access.

In fact, bathrooms are breaking out of the mold so dramatically that one sometimes has to search for water features. Italy’s Agape is one of the companies revolutionizing the approach to modern bathing. Their “FLAT XL” series of interconnecting cantilevered units in multiple configurations (about £10,400 for four units) doesn’t even vaguely look like a bathroom; you have to concentrate to notice the taps and boxy basins. Their in-situ bathroom suites feature curtains, paintings, vintage lighting and Mies van der Rohe chairs. Again, stone is used as splashback, and many of their suites shun full-size mirrors for ones that discreetly fold shut. “The role of the bathroom in contemporary life is the last fortress to the true self,” says Gergely Agoston, head of retail at Agape. “The bath then becomes the space for justified time off with yourself.”

This idea of the bathroom as a luxurious room prompted Italian company Antonio Lupi to create a range of waterproof oriental carpets (from €416 for a 60-by-90-centimeter rug, to €4,800 for a 180-by-240-centimeter carpet). In their international showrooms, bathrooms not only feature carpets, but also oversized throne chairs and chandeliers. The advertising campaign for American brand Kohler’s Shaker-inspired “Tresham” collection, meanwhile, features bathrooms with books propped on floors, paintings and personal memorabilia on the walls, and even dogs sprawled across floors. There are shag carpets, armoires, suitcases, knickknacks, storage units and lots of furniture, to which they added a bathtub, shower and sink, almost as an afterthought (from £1,400 for basins and taps).

Bisazza, the Italian firm famous for its mosaics, also broke with conventional wisdom when it launched the minimal, really-doesn’t-say-bathroom-at-all “Nendo Collection,” designed by the Japanese architect Oki Sato, at the Milan Furniture Fair last week. The collection of 44 wooden and ceramic pieces (still unpriced) includes a wooden-framed, weightless basin, freestanding storage units, stools and even a plant rack. You could be forgiven for thinking you were at a sculpture exhibition. “In the past, Japanese bathrooms were a place for communication. Families bathing together, as well as public baths, were very common until a few decades ago,” says Mr. Sato, adding that he hopes this collection will revive the tradition.

Darren Chung

Drummonds ‘Usk’ bateau bathtub, with a polished and lacquered finish.

Bathrooms are increasingly important when it comes time to selling a property, too—enough to warrant stealing space from the master bedroom, or taking it over completely. “People are really investing in master bathrooms,” says James Lentaigne, sales and marketing director of Drummonds, British makers of handcrafted, classic bathroom fittings. “They’re spending money on freestanding basins with their own legs and large towel rails and deep, freestanding bathtubs that defy trends,” he adds. “They’re so worried about things going out of fashion that they’re now veering toward durable, traditional designs that never go out of style.” (Even Marc Newson, the cutting-edge Australian designer known for his space-age shapes, chose a freestanding Drummonds “Usk” bateau bathtub for his own bathroom.)

With prices from £4,000 for the polished and lacquered “Usk” bathtub to £19,140 for the “Spittal” glass-enclosed shower with cast-iron tray, this is a serious investment. But the advantage of these individual units is that they allow the decor to change around them.

When Lulu Lytle created a luxurious bathroom for Decorex two years ago, based on her own, an old-fashioned bathtub took center stage. “First and foremost, I made it about the bath,” says the co-founder of British bespoke-furniture company Soane. “I think we’re moving away from speedy power showers, and I love the fact you can’t use your Blackberry near it.” She chose all freestanding units, including the “Nureyev” trolley (from £5,400) and the “Halma Man” table (in duck-egg-blue resin, £1,950) from her own collection, to create a room-like effect.

“I wanted low-tech everything, because for me the idea is that the bathroom is about luxuriating, relaxing—it’s a sanctuary,” Ms. Lytle says. “I chose to combine the dressing room and the bathroom into the largest space possible and keep the bedroom small. To me, the bathroom is where I gather my thoughts. The bedroom is where I sleep.”

Write to Helen Kirwan-Taylor at wsje.weekend@wsj.com

© 2011 Wall Street Journal (www.wsj.com)
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Thursday, May 17th, 2012 | Author:

New York

The Metropolitan Opera has been cultivating Anna Netrebko as a house star, and its new production of “Manon,” originally staged at the Royal Opera House in London, illustrates the limitations of that strategy. In principle, her sultry lyric soprano is better suited to Jules Massenet’s siren than it was to Donizetti’s Anna Bolena, with which she opened the season. But she’s a one-dimensional actress, albeit a sexy one, her pitch is often approximate, and her dark middle voice is static and dull, drawbacks that limit her charisma.

Manon

The Metropolitan Opera


Through April 23

Laurent Pelly directs comedy brilliantly, however, and used that skill to tailor this production to his star. He updated the opera to the 1880s and gave it a bouncy, operetta-like flavor, with Manon as a gold-digger from the start. There’s no innocence to be lost, and no contest between impoverished love with Des Grieux and riches with the morally bankrupt De Brétigny; this Manon kisses the boys, shows some leg, and goes for the money every time.

It worked, up to a point, especially with conductor Fabio Luisi giving the score a fleet, frothy energy and tenor Piotr Beczala making the hapless Chevalier des Grieux the opera’s real innocent victim with his open-hearted, pure and impassioned singing. He didn’t have a chance: When Manon showed up in St. Sulpice to reclaim him from his priestly vows, Ms. Netrebko sang with the sinuous dominance of Eve and the serpent combined. Of course, in this scenario, Manon’s moments of vulnerability and regret are unconvincing. But Ms. Netrebko doesn’t project those emotions anyway, so staging the opera as a satirical comedy made sense.

[manon]

Ken Howard/Metropolitan Opera

Anna Netrebko and Piotr Beczala in ‘Manon.’

Chantal Thomas supplied a different set for each of the six locations, a treat in these days of unit-set tyranny. Mostly gray and schematic, they were lighted atmospherically, used the Met’s vast space creatively and provided good frames for Mr. Pelly’s terrific costumes, which conjured up the Belle Epoque with crowds of staring men in black suits and top hats and preening women in the period silhouette of wasp waist and trailing skirt, all in pink or white. Lionel Hoche did the “Giselle”-like choreography for the Cours-la-Reine ballet.

Paolo Szot was properly aggressive as Manon’s venal cousin, Lescaut; David Pittsinger was eloquent as Des Grieux’s disgusted father; and Christophe Mortagne stood out as the vicious Guillot, who orchestrates Manon’s downfall. Anne-Carolyn Byrd, Jennifer Black and Ginger Costa-Jackson were excellent as Manon’s role models: women bought and sold.

***

Così fan tutte

New York City Opera

At the Gerald W. Lynch Theater

Through March 24

In his new production of Mozart’s “Così fan tutte” for the New York City Opera last week, director Christopher Alden defied the spirit of the score, turning this eloquent tragicomedy about love and fidelity into a dark treatise on the consequences of letting carnal desire take over.

In Mr. Alden’s interpretation, the opera’s premise—in which two young men, Guglielmo and Ferrando, disguise themselves and switch sister girlfriends on a bet to prove that their women are faithful—became just a way to get past talk and straight to bed. All four of these characters are consumed with lust (Fiordiligi, one sister, fights a little longer than Dorabella, the other), but when they finally give in, it’s a disaster—no one respects anyone in the morning. There’s no pairing off at the end—the girls clutch each other in horror; the boys look shell-shocked.

The production’s bleak look telegraphed this outcome. Andrew Lieberman’s set (a blown-up photograph of a park as a backdrop, hanging industrial lights, and a long bench), Terese Wadden’s black 1920s costumes, and Aaron Black’s cold lighting suggested a depressed version of Georges Seurat’s “Sunday Afternoon on the Island of La Grande Jatte.” Despina (Marie Lenormand), the sisters’ maid, was a flask-toting bag lady with a sideline in prostitution in addition to her libretto-sanctioned disguises of doctor and notary. Already “fallen,” she was this show’s only marginally cheerful character. Don Alfonso (Rod Gilfrey), who makes the bet with the boys, was a string-pulling sadist who occasionally skulked behind his cape like a silent-film villain. In Act II, he wore a bearskin and was tamed by Despina. It was a hoax to lull the girls into false confidence about female power and male tractability.

Alternating between stylized gesture and rampant overacting, the characters rarely connected to one another, except when engaged in foreplay. They often faced the audience as if in a police lineup. Sara Jakubiak sang Fiordiligi’s defiant “Come scoglio,” one of the most difficult arias in the repertory, in a rigidly awkward posture, pitched forward with her hair covering her face. The few sincere moments of human connection were islands in a sea of concept.

The music warred with the heartlessness on stage. Conductor Christian Curnyn led an idiomatic, lively performance, despite some tinny sounds from the strings. The singers were solid and occasionally inspiring—Ms. Jakubiak’s luminous Fiordiligi and Jennifer Holloway’s poignant Dorabella were vocally well matched in the ensembles. Tenor Allan Clayton brought passion and clarity to Ferrando, though he tended to oversing in the small theater, and Philip Cutlip was more bitter than lyrical as Guglielmo. No wonder; it was a losing battle.

Ms. Waleson writes about opera for the Journal.

© 2011 Wall Street Journal (www.wsj.com)
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Thursday, May 17th, 2012 | Author:

STATS: A 3,327-square-foot, traditional Japanese-style home with three bedrooms and three bathrooms on 1.2 acres of land in Kanazawa, Japan, asking ¥800 million ($9.8 million), or $2,945 a square foot. The owners say the city lowered the 2011 tax bill from $15,990 to $3,690 because it considers the garden a “cultural asset.”

Photos: Open House

Japan Sotheby’s Intl. Realty

The gardens were built around the end of the Meiji period, between 1868 and 1912.

DETAILS: This property is on the west coast of Japan’s main island, a four-hour train ride from Tokyo. It includes extensive gardens that were built around the end of the Meiji period in Japan, between 1868 and 1912. The owners say they grew up hearing how landscape designer Jihei Ogawa (who was more famous for his work in Tokyo and in the imperial capital of Kyoto) used molten rocks from Mount Fuji to build the waterfall. It was a logistical feat at the time. “There were no roads back then. They had to go by sea and ship them around the peninsula,” says one of the owners.

SELLERS:
Takashi Tsuji, chairman of a Kanazawa-based building materials company, and his two brothers, Akira Tsuji, a consultant, and Susumu Tsuji, a retired CEO.

Open House

1-8-48 Teramachi, Kanazawa,

Ishikawa-ken, Japan

THE NEIGHBORHOOD: Step outside and explore the approximately 70 temples in the Teramachi district. Next door, stay a night at Kincharyou, an upscale guesthouse. The experience includes a set, multicourse kaiseki dinner and breakfast in your room for $745.

WHAT WE PAID: The brothers don’t know what their father paid for the property when he bought it in 1947.

WHY WE’RE SELLING: Finding a way to pass the house to all of their children (seven in total) is too complicated. The brothers seek a buyer who would appreciate the cultural value of the property.

WHAT WE’LL MISS: A place of childhood memories: playing with the family dog, having barbecues in the garden and watching fireworks.

WHAT WE WON’T: Maintenance costs, like having someone feed the koi carp in the ponds three times a day, run around $30,000 a year. Also, near the house, there is a hill and sometimes “you can hear the sound of drivers putting their foot on the pedal, to get their cars up it,” says Mr. Tsuji.

COMP: In Kamakura, 30 miles southwest of Tokyo, there is a 2,653-square-foot traditional, Japanese-style home, built in 1972, on under one acre of land, also with gardens, asking $8.4 million.

OTHERS SAY: The high Japanese yen will be a disadvantage in attracting overseas buyers, says Takenaga Ito, general manager at Mitsubishi Real Estate Services, but the garden and house are “precious in a way that makes it hard to compare to other properties.” Yukiko Takano of Japan Sotheby’s International Realty, which is marketing the property, says the price doesn’t just cover the land and the house, but includes “all the old trees, shrubs, the stones in the garden, the municipal and national heritage designations.”

A version of this article appeared March 9, 2012, on page D9A in the U.S. edition of The Wall Street Journal, with the headline: A Garden With a Past In Traditional Japan.

© 2011 Wall Street Journal (www.wsj.com)
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Wednesday, May 16th, 2012 | Author:

Dubai: Tennis star Serena Williams is trading in her racket for the microphone. Williams, who announced last year she was pursuing a musical career, launched a teaser of her new song on Saturday. According to acesshowbiz.com, the champ is yet to reveal the title of the song.

According to the report, the song describes her powerful personality: "I ball hard no tennis racket/I can’t see these haters through my Gucci glasses/I make hits like batting practice — they be like ‘Serena, is you really rapping?’

"That’s me, thanks for listenin’/schooling all these rappers, they should pay tuition/ I make a lot of money but that ain’t yo business/you can tell the people I said this."

She makes a reference to her sister Venus Williams in the song as well, rapping "I win, I really mean it/Swag out this world, you should call me Venus/That’s my sister, my name is Serena/on the court I serve ‘em up, no subpoena."

Article continues below

© 2011 Gulf News (www.gulfnews.com)
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Wednesday, May 16th, 2012 | Author:

CHESAPEAKE,VA (Catholic Online) – The Legionaries of Christ has been undergoing a major time of penance, purification and restructuring under the corrective hand of the Church. The intervention and oversight was occasioned by the scandal arising out of the immoral double life and criminal activity of its disgraced and deceased founder, Fr. Marcial Maciel Degollado. The intervention has been serious and properly severe.


Sadly, on Wednesday, May 15, 2012, one of the legion’s most prominent and popular clerics, Fr Thomas Williams, LC, ThD, a moral theologian, announced his own moral failure. Fr Williams is widely known for his writing, speaking and commentary during numerous television appearances. (NBC,CBS and Sky News)


He has been a source for the major networks on the Vatican, as well as a “go to guy” for comments on the sexual abuse scandals over the last several years.  Among his fourteen published books on Christian living and spirituality were Becoming the Christian You Want to Be and A Christian Guide to Conscience. His popular web site has now “gone dark”. 


The Legionary Priest admitted on Tuesday, May 15, 2012, that he had fathered a child in the past. He also announced that he is taking a one year leave of absence under the direction of his religious superiors. Fr Williams released the following statement:


“A number of years ago I had a relationship with a woman and fathered her child. I am deeply sorry for this grave transgression and have tried to make amends. My superiors and I have decided it would be best for me to take a year without active public ministry to reflect on the wrong I have done and my commitments as a priest. I am truly sorry to everyone who is hurt by this revelation, and I ask for your prayers as I seek guidance on how to make up for my errors.”


Regnum Christi is the lay movement associated with the Legionaries of Christ. It has been depleted in the wake of the fallout occasioned by the evil acts of the founder. Their website contained the following letter concerning Fr Williams. It was written by Fr. Luis Garza, a member of the US leadership.


*****
Legionaries of Christ
Regnum Christi


May 15, 2012
To all Legionaries and Regnum Christi consecrated members,


It is with sadness that I send you this note, especially at a time when we are experiencing renewed enthusiasm for our mission within the Church. The last thing I would wish is to add a fresh wound when older wounds may not have healed fully.


Nevertheless, it is my duty to inform you that Father Thomas Williams, LC, after consultation with his superiors, will undergo a period of reflection, prayer and atonement without public ministry, and has just issued the following statement:


“A number of years ago I had a relationship with a woman and fathered her child. I am deeply sorry for this grave transgression and have tried to make amends. My superiors and I have decided it would be best for me to take a year without active public ministry to reflect on the wrong I have done and my commitments as a priest. I am truly sorry to everyone who is hurt by this revelation, and I ask for your prayers as I seek guidance on how to make up for my errors.”


I know that this will be shocking news to you.  In the wake of all that we have been through as a Movement in the past several years, it won’t surprise me if you are disappointed, angry or feel your trust shaken once again.


Father Williams has enriched the faith of so many through his teaching, public speaking and writing, and has been a spiritual guide for many in the Movement.  That is what makes this failing such a painful reminder that we are all frail humans, in desperate need of God’s mercy.


I hope that you will join me in praying for all those who have been affected by his actions, and for Father Williams during his time of prayer, penance and renewal of his priestly ministry. 


Any further information is at the discretion of those involved. We will support them in any decision they make.


Yours in Christ,
Fr. Luis Garza, LC

*****

We ask the global readers of Catholic Online to pray for the child, his or her mother – and, yes, to pray for this priest who has acknowledged and confessed his sin against consecrated celibacy and his priestly service to Christ’s Church. John Allen, a reliable Catholic source, reports that Fr Williams is undergoing medical treatment for a form of cancer and is living with his parents.


We also ask for prayer for all who are still associated with the Legion of Christ. Finally, we ask for prayers for the Church and those in leadership who seek to pastor this difficult situation.

Published by: Catholic Online (www.catholic.org)
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Wednesday, May 16th, 2012 | Author:

Editor’s note: This piece is part of a series of “city smackdowns” pitting rival cities against each other and letting you decide which one’s best. Next week we’ll let fans of the political convention cities, Charlotte, North Carolina and Tampa, Florida, duke it out.

As part of our Destination USA project pitting rival cities against each other, New York beat Los Angeles in our completely unscientific poll, gaining 52% of the approximately 7,000 votes cast, compared with L.A.’s 48%.

But Angelenos walloped New York in enthusiastic support for their city, sharing our Los Angeles lover’s column on L.A.’s virtues more than 30,000 times on Facebook, compared with 1,400 endorsements for our transplanted New Yorker’s love letter to NYC.

And that robust participation from the City of Angels translated into more than 500 reader comments on the Los Angeles story, compared with 150 on the New York installment of the smackdown.

We asked iReporters and commenters to share the very best things about their respective cities and why they like them better than any other. Some felt the need to add a little trash talk. You decide if they’re right.

Talking a little smack

New York inspires people to accomplish great things they could not imagine anywhere else, according to iReporter Mandana Armand of Gramercy Park, in Manhattan. “That greatness is just around the corner, always in New York. You never know what kind of fortuitous kindling this city will throw at you.”

New York is the center of the modern world, claims iReporter Craig Clemens, a former Los Angeles resident. “Finance, real estate, publishing — it’s almost too much for an Angeleno to take in. I should know because I used to be one.”

Not so, claims L.A. defender cornholio5. “L.A. intimidates people because they’re afraid to admit it’s better than where they’re from. In L.A., we order bagels from people that don’t yell at us. We don’t care if your pizza is better. We like ours, but we like yours, too. We legally smoke weed, we surf, we go to work in flip-flops and we drive Priuses. We work hard, we’re laid back, we eat avocados and we do yoga. We respect N.Y., and don’t even expect it back. That’s how we roll.”

Residents of Los Angeles rave about the good weather, and more. “Los Angeles has the better weather, the better technology, the car capital of the world, better jobs, better food and better people,” writes another commenter. “New York City: You pay outrageous rent, and who wants to pay $1,000/month just to park your car?”

Let’s go out and play in New York

We admit it, both cities have great places to play, whether you’re splurging or traveling on a budget. New York offers full price theater tickets to “The Book of Mormon” and discount theater tickets at the TKTS booth. Make reservations to Per Se or Eleven Madison Park for fine dining or grab an affordable (and incredible) burger and cheese fries at Shake Shack in Madison Square Park or “chicken fried chicken” at Cowgirl in the West Village.

iReporter Beth Barret, who grew up on Manhattan’s Upper East Side and lives in Riverdale in the Bronx, offers you her walking tour route, free of charge. “One of my favorite things to do with friends who visit me is to start walking from the bottom of Manhattan,” she writes. “We start at the Statue of Liberty, walk north through Battery Park, Wall Street, the South Street Seaport, Chinatown, Little Italy, Tribeca, Soho, Greenwich Village & Chelsea. And that is only day one!”

“Every nook and cranny of the city exudes its own pleasures, flavors and personality,” claims Barret. “I honestly don’t think you can ever see it all. From the Edgar Allen Poe cottage in the Bronx to the site of the 1962 World’s Fair in Queens, there is always something to see that will wow you!”

Head to One World Trade Center, says Charlottesville, Virginia, resident and iReporter Joanne Ciccone, who visits New York regularly to see her son. “One World Trade Center is at the heart of what this country is about. Like the Phoenix rising from its ashes, NYC is building up from the horrors of 9/11. This rebuilding of structure and attitude makes NYC the greatest city on Earth. It will not be destroyed in building or beliefs.”

Let’s play in L.A.

Los Angeles offers everything from swimming and surfing at the beach to skiing in the mountains and camping in the desert. A short drive (traffic permitting) will get you to some of the most beautiful outdoor spots in the world.

“The feeling is laid back while you cruise down Sunset Blvd. and dig on the celebrities,” writes iReporter Allen Mealey. “Los Angeles is the entertainment capital of the world, from the Hollywood film industry to all of the great concerts and clubs, we beat Manhattan hands down! And those Hollywood nights, those Hollywood hills.” (With thanks to Bob Seger.)

DigitalGypsy, who lives in Culver City but also loves Venice, Santa Monica, West Hollywood and Silverlake, never wears anything heavier than a hoodie because the weather is so fabulous. “It’s definitely the spot to be in for surfing, skateboarding and snowboarding. Life is a little more laid back and you get to enjoy the beauty of nature that surrounds you.”

Standouts to commenter Jon: Griffith Observatory, summer movies at Hollywood Forever Cemetery, monthly downtown Art Walk, the Venice Art Walk, The Perch (or any of the downtown rooftop bars), driving around actual film studios, ChaCha Lounge (hipster bar in Silver Lake), the Los Angeles County Museum of Art, MOCA (contemporary museum), Villain’s Tavern and “hiking up to the Hollywood sign or any of the hundreds of amazing hiking trails all throughout the hills and mountains of the city.”

Let’s eat some good food

There’s no shortage of advice online or in print on the best cuisine in Los Angeles or New York. Both towns have food critics who have their preferences for high-end, low-end and everything in between — although only Los Angeles can claim the first winner of a Pulitzer Prize for food criticism in Jonathan Gold, now at the “Los Angeles Times. “

If you’re craving a particular cuisine or need to eat in a particular part of town, plenty of foodie websites can help you out. If you’re talking to residents, make sure they really like food — because there’s plenty of bad food to be had in both cities.

Manhattan resident Mandana Armand loves the 21 Club for the feel of old New York, drinks at the Gansevoort Hotel and the chocolate waterfall brunch at the Waldorf Astoria. For vegetarians and vegans, Armand recommends Pure Food and Wine restaurant. “It’s a raw food restaurant that delivers the most exquisite flavors imaginable. You will not believe it is raw food.”

Former Los Angeles resident and iReporter Anne McCarney has many favorite restaurants and bars to recommend: “Homegirl Cafe (near downtown), OB’s Pub & Grill (Manhattan Beach), Mama D’s Italian (Hermosa or Manhattan Beach), Cafe Boogaloo (Hermosa Beach), Shark’s Cove (Manhattan Beach), Empress Pavilion (Chinatown), Roscoe’s Chicken & Waffles, In-N-Out, Lotus frozen yogurt (Hermosa Beach), Sweet Lady Jane’s bakery (Melrose).”

And yes, Mexican food can be found almost anywhere in Los Angeles. However, commenter VikoG suggests visitors move beyond the assumption of Mexican food as beans, rice, tacos, burritos and enchiladas. “Angelenos know better (and) we take advantage of all the delicious non-Americanized cuisine, especially mariscos, Poblano cusine, Oaxacan cusine and so many more,” he writes.

Pitting one city against the other is pointless, say some, like comparing an SUV to a sports car. “If you want a house with a big yard, pool and palm trees, NYC is not the place for you,” writes commenter Chris Allen, who was raised in Los Angeles and visits New York. “If you want to live in a high-rise building in a pedestrian-friendly neighborhood where you can take the subway to work, your lifestyle options in L.A. will be rather limited. Both are cool places.”

Todra Payne is married to New York City, but it’s not exclusive. “NYC is home for me, but L.A. is my secret lover,” she writes. “Can’t beat the way you can walk Manhattan and meet people along the way, meander in and out of shops, restaurants, etc. You just can’t do that in L.A. But the sunshine, beaches and palm trees and the laid back vibe in L.A. are golden. If there was a way to combine the two, it would be paradise.”

Both cities, it seems, are willing to share the people they love with the city on the opposite coast.

Next on our smackdown list: Charlotte, North Carolina, home to the 2012 Democratic National Convention, versus Tampa, Florida, home to the 2012 Republican National Convention. How will you vote? Share your photos and suggestions on iReport.com.

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Wednesday, May 16th, 2012 | Author:

Release Date: 04/12/2012Contact Information: David Deegan, (617) 918-1017

(Boston, Mass. – April 12, 2012) – EPA has issued a final Clean Air Act permit to the Pioneer Valley Energy Center for the construction and operation of a new 431 MW/hr combined cycle gas turbine in Westfield, Mass.  The permit is designed to prevent the significant deterioration of air quality resulting from the plant’s operation.
The federal Clean Air Act requires new major sources of air pollutants in areas which currently meet air quality standards to obtain a “Prevention of Significant Deterioration” (PSD) air permit prior to construction.  There are three main components of a PSD permit:
-  The new source must install best available control technology to reduce all air pollutants which it will emit in significant amounts;
-  The new source must demonstrate, using air dispersion modeling, its emissions will not cause or contribute to a violation of any national ambient air quality standards (NAAQS), which are designed to protect public health and the environment; and
-  The facility may not cause the existing air quality in the area to deteriorate beyond specific levels that the Clean Air Act allows to protect air that is already cleaner than the NAAQS.
The permit for Pioneer Valley meets all three criteria.  Pioneer Valley will install post combustion controls to minimize emissions of nitrogen oxides and carbon monoxide.  In addition, the facility will use natural gas and ultra low sulfur diesel fuel to minimize emissions of fine particulate matter and sulfuric acid mist.  Pioneer Valley is also minimizing greenhouse gas emissions through the application of energy efficient equipment.
EPA carefully reviewed Pioneer Valley’s air dispersion modeling analysis and has determined the allowable air emissions from this project are in compliance with the Clean Air Act. The final permit for the Pioneer Valley plant contains several more stringent permit conditions that EPA added after considering public comments.
There was a formal public review and comment period on the draft Pioneer Valley PSD permit from Dec. 5, 2011 – Jan. 24, 2012.  EPA also held an informational meeting and a public hearing in Westfield on Jan. 12, 2012.  EPA received 49 written comments and heard testimony from 28 commenters during the public hearing. EPA carefully considered all comments received on the draft air permit during the public comment period, and the final air permit is accompanied by a detailed “Response to Comments” document.  EPA also carefully considered assertions that this power plant would cause a disproportionate burden on historically-disadvantaged Environmental Justice communities in the vicinity of the facility.  EPA’s analysis indicated that emissions would not adversely affect low-income or minority populations and that the impacts of those emissions did not disproportionately affect these communities.
More information:  The final Pioneer Valley PSD permit and other documents (http://www.epa.gov/region1/topics/air/airpermitting.html)
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Published by: United States Environmental Protection Agence (EPA) (yosemite.epa.gov)
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Tuesday, May 15th, 2012 | Author:

Some say business school is all play and no work, little more than a series of happy hours and C.E.O. guest speakers. Others insist it’s the opposite, with long hours spent perfecting cash-flow models and creating business plans.

So what’s life really like for a business-school student? The answer, of course, is “it depends.”

The student experience is inevitably different for full- or part-time programs; undergraduate, graduate or executive degrees; large or small schools, and urban or rural campuses.

For example, 60% of undergraduate students at NYU’s Stern School of Business spend at least one semester abroad; it’s about one-third at Boston College’s Carroll School of Management. Students in the executive M.B.A. program at Duke University’s Fuqua School of Business meet on alternate weekends, while E.M.B.A. students at nearby University of North Carolina’s Kenan-Flagler Business School can take weeknight classes. And while more than 80% of Harvard Business School students live in campus housing, that figure is closer to 25% for M.B.A. students at Northwestern University’s Kellogg School of Management.

But even within those individual categories, how much time students spend studying or sleeping, who they socialize with and what extracurricular activities they participate in can vary widely.

In a new online feature, The Wall Street Journal offers a glimpse into a day in the life of three business students in a single course of study. The first installment tracks a recent day for three M.B.A. students from Columbia Business School.

Write to Melissa Korn at melissa.korn@wsj.com

© 2011 Wall Street Journal (www.wsj.com)
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Monday, May 14th, 2012 | Author:

It was a tantalizing lead offering hope that investigators would solve the mystery — at last — of what happened to the 6-year-old boy who disappeared on his way to the school bus stop 33 years ago.

There have been a series of such leads over the years in the case, which changed the nation’s attitudes toward children’s safety and helped launch the missing children’s movement.

First there was the drifter living in a drainage tunnel with pictures of boys who looked eerily similar to Etan. A rash of false leads that took investigators as far afield as Israel chasing look-alikes. Then, most recently, a cadaver dog picking up the scent of human remains in a basement near Etan’s home.

Each time, the result has been the same: sometimes a few answers, often more questions, and rarely anything resembling the full truth for Etan’s parents, Stan and Julie Patz.

The family has endured years of crank calls and far-fetched theories on the home telephone number they never changed in hope Etan might some day try to call.

“They exacted the biggest emotional cost, riding Stan and Julie on a steep vertical incline up the tracks, to plunge straight back down to hell every time,” journalist Lisa Cohen writes in her definitive account of the case, “After Etan: The Missing Child Case That Held America Captive.”

Such dramatic ups and downs have long been part-and-parcel of the investigation into Etan’s disappearance.

In the days and weeks after he went missing in May, 1979, police, the family and neighborhood volunteers worked tirelessly tracking down leads, according to Cohen.

In the two weeks following Etan’s disappearance, police put in more than 4,000 hours on the case, interviewing some 500 people, Cohen writes in her book.

Police cruisers swarmed the neighborhood as volunteers plastered the area with 10,000 posters, according to Cohen’s account.

Then came the first letdown.

The police officers who’d camped in the Patz home, answering phones and dispatching detectives to follow up on possible leads, packed up and left, the emergency phase of the response over.

In their place, they left a legal pad next to the phone and instructions to log each call. What had been a stream of calls slowed to a trickle, but kept coming, with their stories of boys matching Etan’s description seen in places near and far.

None panned out.

Three years later, in 1982, the roller-coaster would start its climb again with reports that a man, Juan Antonio Ramos, had swiped a boy’s book bag and tried to lure him and another boy into the drainage tunnel where he was living.

Police found photos of young boys among the man’s possessions, and took them to Etan’s parents to see if their son was one of them.

“Almost three years into their ordeal, the half-formed scab covering their private life and private pain was being picked off yet again to ooze fresh blood,” Cohen wrote in her book. “They greeted the news with the now familiar mix of trepidation tinged with the faint hope, one that could never be discounted, that new exposure could yield new information.”

The case didn’t pan out, at least initially, and Ramos vanished.

Interest moved on to other reports, Cohen wrote in her book: A photo in Israel, another in Massachusetts. A cab driver who said he picked up the boy the morning of his disappearance.

Like the other leads, nothing came of them.

In 1988, the cycle began turning again. Investigators turned their attention back to Ramos after locating him in a Pennsylvania prison — where he was serving time on a molestation conviction.

They brought Ramos back to New York for questioning, and got a bombshell, Cohen writes.

Ramos acknowledged picking up a boy he believed was Etan and bringing him back to his apartment for sex, according to Cohen. But he said the boy declined his advances, so he took him to the subway and waved goodbye.

Three years later, in 1991, after helping secure another conviction against Ramos, federal authorities visited the Patz family again. They were there to deliver the news the family had long dreaded — that investigators believed their son was dead and they believed Ramos was responsible, Cohen writes.

“The words were not earth-shattering; they weren’t saying anything that twelve years into the case both parents didn’t already know,” Cohen writes in her book. “But now for the first time law enforcement was sitting across the table, telling them that the weight of evidence supported their worst fears.”

At the same time, the federal authorities said they’d come to the end of their journey, saying only New York state prosecutors could take the case to court.

They never have.

There have been more milestones since that day in 1991.

In the summer of 2000, New York investigators examined evidence from the basement of the apartment building where Ramos once lived. In 2001, Stan Patz had his son declared legally dead, and in 2004, a judge found Ramos liable for Etan’s death in a wrongful death civil lawsuit.

But none of those milestones brought them closer to what the family has long said it wants, barring the return of their son: a criminal conviction.

In 2010, Manhattan District Attorney Cyrus Vance reopened the investigation after his election, something he had promised to do during his campaign.

The promise that authorities were closer to mounting a criminal case seemed alluringly close last week, when investigators flooded the neighborhood and began dismantling the basement where handyman Othniel Miller once had a workshop.

Etan knew the man and had sometimes helped him with odd jobs before he disappeared, Cohen said in a Monday interview on CNN. Authorities had looked at the basement workshop years ago, but never tore up the place as they were doing last week, she noted.

Investigators recently renewed their interest in Miller, 75, in part after interviewing him about his connection to the basement. During the interview, a source said he blurted out, “What if the body was moved?”

About a month ago, a cadaver dog picked up the scent of human remains. Then investigators began to tear down drywall and cut through concrete in search of clues.

“It was a huge number of resources being thrown into this case,” forensic scientist Lawrence Kobilinsky said Monday in an appearance on CNN. “It shows you that this case is still alive in the minds, (of) not only the public, but certainly, of law enforcement.”

Mike Huff, a retired police detective and cold-case investigator in Tulsa, Oklahoma, who now heads the International Association of Cold Case Investigators, said as he watched coverage of the case, the kinds of details that were emerging led him to believe investigators were confident they had finally come up with a solid line on hard physical evidence in the case.

The big news came over the weekend, when it leaked out that investigators had recovered a chunk of concrete that appeared to be stained with blood.

“I thought, ‘Man, this is going to be a slam dunk, they already know the answer to this story,’” Huff said.

Then, suddenly, once again, nothing.

The blood wasn’t blood, it turned out. No human remains had been found.

Etan’s family learned Sunday the search had come up empty.

It’s not clear where the investigation goes from here. Through his attorney and daughter, Miller has denied any role in Etan’s disappearance.

Cases as old as this one can be tough to crack, Huff said.

“The longer it gets away, the more you really have to have hopes and prayers for technology to come into it,” he said.

While investigators didn’t get the answers they wanted — again — Huff says there’s still some good to take out of the effort.

“It’s a success that 33 years later, somebody is still looking at it,” he said.

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Monday, May 14th, 2012 | Author:

Toronto Islamic school apologizes after being accused of promoting hatred of Jews("Haaretz," May 9, 2012)

Toronto, Canada – A Toronto Islamic school being investigated following a complaint that it is teaching its students that Jews are “treacherous” and comparing them to Nazis has apologized to the Jewish community.

The curriculum at the East End Madrassah, a Sunday school for Muslim children that rents space from a public school, taught boys to exercise so they are “ready for jihad,” refers to “crafty” and “treacherous” Jews and Jewish “plots,” and contrasts Islam with “the Jews and the Nazis.”

By early this week, the school had removed from its website the controversial portion of its curriculum. Later the same day, its website went offline.

The complaint was launched by Friends of Simon Wiesenthal Centre for Holocaust Studies in Toronto.

The school on Tuesday reportedly apologized to the Jewish community and pledged to revise its teaching materials after a careful review.

“We unreservedly apologize to the Jewish community for the unintentional offense that the item has caused,” the school said in a statement. “Our team of scholars has already undertaken to review all texts and material being used in the curriculum to ensure that our teachings are conveying the right message.”

Canada’s Criminal Code makes it unlawful to publicly and “willfully” promote hatred against any identifiable group.

The Toronto District School Board, from which the madrassah rents space, said it is cooperating with police and noted it has the authority to revoke agreements with any associated school if it is found to be promoting hatred.

Published by: WorldWide Religious News (wwrn.org)
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